Between Breath has the distinction of being only of only a few trombone and piano pieces ever reviewed by Gramophone. The following is an excerpt from the review, written in August of 2024:

“Happily, the elaborate notated blueprints laying out Between Breath’s extended techniques translate into fascinating sonorities, especially where the trombone’s gritty low-register long tones support harp-like plucked single notes from inside the piano, sometimes giving the impression of an electronic soundtrack. For all the ingenious sound design, the fleeting moments when Anne Rainwater goes into ‘unprepared’ piano mode to play sparse single notes and chords move me the most.”